Prix Laurence - Bettembourg Prix Laurence 2020 - Luxembourg
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Prix Laurence 2020

Suglia Cosimo - Twenty Modern Fables





One—The fox told of truth behind the red lion’s back, but the monarch’s roar was deafening.

Two—It is with certain distance that the crab associates himself with the cancer; rumours are, after all, that cancer kills countless humans.

Three—The pigeon does not mind humans and, in spite of everything, their trash’s flavour is definitely the best.

Four—Most think the hyena laughs, but he does not, on the contrary, he weeps.

Five—Wolfs have a hard time understanding dogs; they must be from Stockholm the wolfs rationalize.

Six—Coitus with females is for the panda of no interest; he takes pride in being called a bear.

Seven—The black-furred dog is afraid of the police; he definitely knows what they are capable of.

Eight—Faking his own death was the goldfish’s best decision; being flushed down the toilet hurts less than being ignored by loved ones.

Nine—It seems humans have never seen themselves in the mirror the ugly duckling states angrily.

Ten—He is known by everyone as being strong, but the ox wants to be vulnerable instead.

Eleven—It is quite difficult to chew, especially so with a missing upper jaw, the rhinoceros realizes.

Twelve—The penguin ponders where he left pieces of his home, daily; he must suffer from amnesia.

Thirteen—To avoid of being taken by the horns is the bull’s task, because he knows of the impaling danger of human entertainment.

Fourteen—Seals have it hard; they barely look like moles and yet they get whacked.

Fifteen—Orca’s landlord is rather strict; she wants to move out to the ocean, but her contract does not allow it.

Sixteen—Straw could never break the camel’s back, but overweight tourists can.

Seventeen—The bee cannot be busy enough to avoid extinction.

Eighteen—And the lamb is not as innocent as most would think; her parents were slaughtered after all.

Nineteen—Pony has several tricks up his sleeves once the whip hits hard enough, of course.

And lastly:

Twenty—The elephant in the room is us.

 




ageschéckt den: 17:03 Thu, 30 April 2020 vum: Suglia Cosimo

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Kleng Lecture, déi Iech vläicht weiderbréngt:


SALLY ROONEY

-  Gespräche mit Freunden
Roman, Luchterhand, 2019


LEIF RANDT

-  Allegro Pastell
Roman, KiWi, 2020


OCEAN VUONG

-  Auf Erden sind wir kurz grandios
Roman, Hanser, 2019

-  Nachthimmel mit Austrittswunden
Gedichte, engl./dtsch., Hanser, 2020


ERNESTO CARDENAL (1925 - 2020)

-  Transitreisender
Gedichte, Peter Hammer Verlag, 2008


TOMAS ESPEDAL

-  Bergeners
Matthes & Seitz Berlin, 2018


ANOUK MAHR
mat 15 Joer
3. Präis beim Prix Laurence 2016


-  Lautlos
Roman, éditions guy binsfeld, 2019


POL SCHMOETTEN

-  Holland träumen
Lyrik, éditions guy binsfeld, 2019


JOSIANE WEBER

-  Marie Adelheid
Eine politische Biografie (1912 - 1919)
éditions guy binsfeld, 2019


GRAND TOUR
Reisen durch die junge Lyrik Europas

-  Hrsgb. F. Italiano, J. Wagner
Anthologie, Hanser, 2019


POESIE

-  Hrsgb. N. Gomringer, M. Beyer
Anthologie, Voland & Quist, 2018

GRACE PALEY

-  A Grace Paley Reader
Stories, essays, poetry

Farrar, Straus and Giroux, 2017

-  Manchmal kommen ...
Gedichte, Schöffling & Co, 2018

RON PADGETT

-  Die schönsten Streichhölzer der Welt
Englisch - Deutsch, mit den Gedichten
aus Jim Jarmuschs Film Paterson
Dieterich'sche Verlagsbuchhandlung, 2017

STEFFEN POPP (Hrsgb.)

-  Spitzen
Gedichte. Fanbook. Hall of Fame.
edition suhrkamp, 2018

SARAH KIRSCH

-  Sämtliche Gedichte
DVA, 2013

-  Gesammelte Prosa
DVA, 2006

-  Sarah Kirsch u. Christa Wolf
Wir haben uns wirklich an allerhand gewöhnt
Der Briefwechsel, Suhrkamp, 2019

GUNTRAM VESPER

-  Tieflandsbucht
Die Gedichte, Schöffling, 2018

ANTHOLOGIE BEAT ATTITUDE

-  Femmes poètes de la Beat Generation
éditions Bruno Doucey, 2018

TAHA MUHAMMAD ALI

-  An den Ufern der Dunkelheit
Gedichte aus Palästina
Fischer Taschenbuch, 2013


SERHIJ ZHADAN

-  Warum ich nicht im Netz bin
Gedichte und Prosa aus dem Krieg
Suhrkamp, 2016


HAIKU ANTHOLOGIE

-  Das Buch der klassischen Haiku
Hrsgb. Jan Ulenbrook
Reclam, 2018

 


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